Ellie Goulding has been one of the most talked about new artists since the end of last year. After listening to her debut album, it is clear to see why. As soon as the record plays, you’re addicted. Her smooth but husky voice is so enchanting that you must keep listening.
Her songs are incredibly dream like, with soft beats and sweet guitar riffs. The soft tinkling of a xylophone in all songs creates images of adventure and fantasy. If you close your eyes, it may be hard not to escape to another world.
‘The Writer’ is one of the album’s strongest songs. It seems very personal, with piano solos and violins creating such emotion. Goulding holds some of the same qualities as Regina Spektor, her soft but very powerful voice keeping you addicted. ‘Everytime You Go’ is more up tempo with ‘oh oh ohs’ and sharp lyrics for instant sing alongs. ‘Salt Skin’ is a very engrossing song. Her slow, harmonic voice echoes, creating goosebumps. This song is a perfect, peaceful end to the album, making it almost impossible not to listen again.
Each song on the album sounds almost like an old friend – familiar, kind and memory provoking. Her cute persona matches the innocence of her music, creating something instantly charming.
Goulding’s singles ‘Under the Sheets’ and ‘Starry Eyed’ are responsible for the buzz around her. They include electro beats which work brilliantly with her soft voice and surroundings. Jakwob have created amazing remixes of both songs. When one of the best DJs around chooses your song to mix, it really proves you have made it big.
Ellie Goulding has been compared to Kate Nash and Lily Allen in the past. If these critics stopped to listen, they would realise she is in a league of her own. She is an original talent with an extremely bright future.
Sunday, 28 February 2010
Thursday, 18 February 2010
Band of Skulls - Talking Heads, Southampton
After being on tour throughout Europe, it was time for Band of Skulls to return home for one show. Having played The Talking Heads venue almost 100 times, it was obvious how comfortable they felt on stage. In between songs support from old friends cheering ‘you did it’ made for quite an emotional performance.
They kicked off with ‘Light of The Morning’ and ‘Diamonds and Pearls’. The energy which they possessed was immense. Their music is reminiscent of The White Stripes. Each note they hit sounded so powerful, it was very easy to imagine this band on a festival stage. All three members played their instruments with such ease, as if producing this amazing sound was simple. Their songs held choruses the crowd happily obliged to sing back to them. ‘I Know What I Am’ was a definite highlight, with it’s instantly lovable tune.
The unity of band and audience was really something to be awed. This show felt special. It was almost like a heroes welcome as the band blasted out their tunes to an adoring audience. It was easy to see their happiness to be home, even if it was just for one night. It felt like a privilege to attend such an intimate show, because this band seem set for big things.
They kicked off with ‘Light of The Morning’ and ‘Diamonds and Pearls’. The energy which they possessed was immense. Their music is reminiscent of The White Stripes. Each note they hit sounded so powerful, it was very easy to imagine this band on a festival stage. All three members played their instruments with such ease, as if producing this amazing sound was simple. Their songs held choruses the crowd happily obliged to sing back to them. ‘I Know What I Am’ was a definite highlight, with it’s instantly lovable tune.
The unity of band and audience was really something to be awed. This show felt special. It was almost like a heroes welcome as the band blasted out their tunes to an adoring audience. It was easy to see their happiness to be home, even if it was just for one night. It felt like a privilege to attend such an intimate show, because this band seem set for big things.
Saturday, 13 February 2010
Cobra Starship - Hot Mess
The pop punk quintet return with their third album and it kicks off with as much energy as their previous. They prove they’ve still got what it takes as pumping electro beats and fast paced, witty lyrics resonate in each song. The line ‘smash it up’ really depicts the album perfectly, as it shows no signs of slowing down throughout. With Gabe Saporta’s addictive voice it is hard to stop listening. It is almost impossible not to sing along with the simple and memorable lyrics.
It is hard to listen to this album without the almighty urge to get up and dance forcing itself on you. With enough catchy choruses and drum beats to feed anyone’s partying side, this album is not for the boring.
Highlights on the album include ‘Move Like You Gonna Die’, a song that starts with so much power. The song sounds almost Fall Out Boy esq, with harmonies and hooks to make you listen again and again.
Their debut single from the album ‘Good Girls Go Bad’ sounds as fresh and the rest. The follow up single ‘Hot Fuss’ is set to be a hit which conjures up more images of fun and dancing. This record has no hint of sadness, just excitement and strong opinions.
The only time you get a chance to breath is at the very last track ‘The World Will Never Do’. Being the only down tempo song on the album, it seems like an apt ending. Turning some lyrics into ‘raps’ also, this really shows off a different side of the band.
After listening to this album, it is almost certain that one of the songs will be stuck in your head. And that’s no bad thing.
7/10.
It is hard to listen to this album without the almighty urge to get up and dance forcing itself on you. With enough catchy choruses and drum beats to feed anyone’s partying side, this album is not for the boring.
Highlights on the album include ‘Move Like You Gonna Die’, a song that starts with so much power. The song sounds almost Fall Out Boy esq, with harmonies and hooks to make you listen again and again.
Their debut single from the album ‘Good Girls Go Bad’ sounds as fresh and the rest. The follow up single ‘Hot Fuss’ is set to be a hit which conjures up more images of fun and dancing. This record has no hint of sadness, just excitement and strong opinions.
The only time you get a chance to breath is at the very last track ‘The World Will Never Do’. Being the only down tempo song on the album, it seems like an apt ending. Turning some lyrics into ‘raps’ also, this really shows off a different side of the band.
After listening to this album, it is almost certain that one of the songs will be stuck in your head. And that’s no bad thing.
7/10.
Tuesday, 2 February 2010
Kesha – Animal
After the success of irritatingly catchy Tik Tok, a rushed debut album seems to be the next step for Kesha. With each song containing the same poppy beat, the ‘novelty’ wares off extremely quickly.
The lyrics are about as mature as those of Miley Cyrus, with little more depth than a paddling pool. The lyrics that she does have repeat themselves in most songs, creating even more frustration as you listen to the same drivel over and over. In some songs an electro beat emerges, trying desperately to cover the samey tune as something new and interesting.
It was surprising to see a collaboration with the similarly irritating 3OH!3, though their input seems almost pointless. The song is aptly named ‘Blah Blah Blah’, which is exactly how this song makes you feel. It’s almost impossible to find 3OH!3’s contribution to the song, with no singing whatsoever. Perhaps Kesha wants to drop names here and there to make this album seem more important than it really is.
Kesha is definitely a one hit wonder, with nothing but a repetitive and tedious debut album to her name.
The lyrics are about as mature as those of Miley Cyrus, with little more depth than a paddling pool. The lyrics that she does have repeat themselves in most songs, creating even more frustration as you listen to the same drivel over and over. In some songs an electro beat emerges, trying desperately to cover the samey tune as something new and interesting.
It was surprising to see a collaboration with the similarly irritating 3OH!3, though their input seems almost pointless. The song is aptly named ‘Blah Blah Blah’, which is exactly how this song makes you feel. It’s almost impossible to find 3OH!3’s contribution to the song, with no singing whatsoever. Perhaps Kesha wants to drop names here and there to make this album seem more important than it really is.
Kesha is definitely a one hit wonder, with nothing but a repetitive and tedious debut album to her name.
Monday, 1 February 2010
Rihanna - Rated R Def Jam
‘To those who think they can take it; welcome to the mad house’ A Thriller-esq voice speaks at the very start of the record. This short introduction already seems so far from Good Girl Gone Bad and it’s exciting.
With her previous album having such great success, this album seemed a long time coming though it has only been a year. A year is long enough it seems, as a new side of Rihanna is shown on the album. With the debut single ‘Russian Roulette’ giving some clue to the change, the rest take the same turn.
A much slower and serious tone shoots through the album, with much more focus on her voice and lyrics rather than the tune. Ech song has it’s hook that makes you want to listen over and over. With electronic effects and pianos throughout, this new, much darker side of Rihanna is extremely impressive. She has matured and so has her music.
With her previous album having such great success, this album seemed a long time coming though it has only been a year. A year is long enough it seems, as a new side of Rihanna is shown on the album. With the debut single ‘Russian Roulette’ giving some clue to the change, the rest take the same turn.
A much slower and serious tone shoots through the album, with much more focus on her voice and lyrics rather than the tune. Ech song has it’s hook that makes you want to listen over and over. With electronic effects and pianos throughout, this new, much darker side of Rihanna is extremely impressive. She has matured and so has her music.
Miike Snow - Miike Snow RCRD LBL
Imagine lying on a tropical beach as the sun is setting and this gives you an idea of how the Swedish band’s debut album feels. With pianos tinkling over a bouncy electronic beat, the charismatic melodies take your mind away to a dream like place. Their soft voices create perfect Mumford and Sons worthy harmonies, which match perfectly the calm electro bass lines.
Each song is more emotional and captivating than the last, that is until new single ‘Black and Blue’. After this song however, the album takes a monotone and repetitive turn. Highlights are definitely ‘Animal’ and ‘Sylvia’. Both songs have such captivating choruses.
This electro pop threesome have created an album that sounds like The Temper Trap and Friendly Fires have come together to play Nintendo. It would feel much more exciting if the second half was not such a disappointment.
Each song is more emotional and captivating than the last, that is until new single ‘Black and Blue’. After this song however, the album takes a monotone and repetitive turn. Highlights are definitely ‘Animal’ and ‘Sylvia’. Both songs have such captivating choruses.
This electro pop threesome have created an album that sounds like The Temper Trap and Friendly Fires have come together to play Nintendo. It would feel much more exciting if the second half was not such a disappointment.
The Widowmaker The Joiners, Southampton
As the wintery sun set on the city, ticket holders wanted nothing more than to venture inside for some great music. Not disappointed, the sweetly soulful songs from The Widowmaker warmed the hearts of everyone present. Armed with just two guitars and a logarhythm, Ian Easton (The Widowmaker) and his performance partner Dan Parkinson certainly impressed.
Their soft voices reflected the soothing music which they played, singing lyrics with meaning and thought. Each song contained a riff which made everyone’s foot tap. Playing his self written songs, Ian really showed off his talents as a writer and a performer. With Dan at his side adding extra depth and power, the songs felt so enchanting.
They performed a beautiful cover of Mumford and Sons’ ‘Roll Away Your Stone’. This definite goose-bumps moment was a brilliant end to the gig which left the crowd wanting more.
The Widowmaker and Dan Parkinson will be performing in and around Southampton throughout next year.
Their soft voices reflected the soothing music which they played, singing lyrics with meaning and thought. Each song contained a riff which made everyone’s foot tap. Playing his self written songs, Ian really showed off his talents as a writer and a performer. With Dan at his side adding extra depth and power, the songs felt so enchanting.
They performed a beautiful cover of Mumford and Sons’ ‘Roll Away Your Stone’. This definite goose-bumps moment was a brilliant end to the gig which left the crowd wanting more.
The Widowmaker and Dan Parkinson will be performing in and around Southampton throughout next year.
Clubbed Off
Jedward twins create trouble once more
After causing much controversy on X Factor this autumn, John and Edward Grimes, the most famous twins in Dublin managed to create havoc even after leaving the show.
The half of the nation not sick of the twosome was ecstatic when they announced various appearances in clubs around the UK, one of these places being Oceana in Southampton.
However a week before the date they were due to appear, they cancelled because of apparent TV commitments. Rumours began to emerge as to the details of these commitments, the most popular being that they may be taken to the jungle for a guest appearance on I’m a Celebrity…Get Me Out Of Here! which began again this week. Mark Boustead from ITV confirmed that ‘they aren’t going to be joining I’m A Celebrity…Get Me Out Of Here!’
A representative from Oceana, Southampton explained that ‘we are obviously disappointed that they can’t make it, but are looking forward to them performing on the 17th December.’ This rescheduled date disappointed many John and Edward fans as it falls the week after most of the student population have gone home for Christmas, prompting many ticket holders to ask for a refund. One upset fan, Vicky McIntosh explained ‘I was very excited about seeing Jedward at Oceana but we had to get a refund. We were not given an explanation as to why the gig was rescheduled.’
John and Edward are continuing their UK appearances throughout the next month.
After causing much controversy on X Factor this autumn, John and Edward Grimes, the most famous twins in Dublin managed to create havoc even after leaving the show.
The half of the nation not sick of the twosome was ecstatic when they announced various appearances in clubs around the UK, one of these places being Oceana in Southampton.
However a week before the date they were due to appear, they cancelled because of apparent TV commitments. Rumours began to emerge as to the details of these commitments, the most popular being that they may be taken to the jungle for a guest appearance on I’m a Celebrity…Get Me Out Of Here! which began again this week. Mark Boustead from ITV confirmed that ‘they aren’t going to be joining I’m A Celebrity…Get Me Out Of Here!’
A representative from Oceana, Southampton explained that ‘we are obviously disappointed that they can’t make it, but are looking forward to them performing on the 17th December.’ This rescheduled date disappointed many John and Edward fans as it falls the week after most of the student population have gone home for Christmas, prompting many ticket holders to ask for a refund. One upset fan, Vicky McIntosh explained ‘I was very excited about seeing Jedward at Oceana but we had to get a refund. We were not given an explanation as to why the gig was rescheduled.’
John and Edward are continuing their UK appearances throughout the next month.
What a Load of Rubbish
Are the top selling singles of the decade really worthy?
So as the end of ‘The Noughties’ draws near, a reflection of the past 10 years of “music” begins. Thinking back, it’s almost impossible to pick out any memorable songs within the hoards of dire, throwaway trash that seems to have become a staple of the top 40 chart.
It seems like an eternity since Simon Cowell began smothering the nation with his repetitive reality music shows, producing a mediocre musical puppet from his money factory to take over the charts each year. Looking over the top ten biggest selling singles of the decade, a shiver runs down my spine as it becomes apparent that 5 of the songs were released by a winner from X Factor and Popstars.
Is this really what our music industry has turned into? Square haired millionaires too big for their boots are allowed to brainwash the public into believing that this rubbish is ‘talent’. Gone are the days of artists writing their own music and being rewarded for it. Cobain and Lennon would be spinning in their graves if they could see what a joke the industry has turned into. What happened to skilled musicians writing their own songs getting to number one?
The rest of the top ten is filled with pop music with as little aptitude as the rest, including Bob The Builder of all people, and of course everyone’s favourite reggae ‘star’ Shaggy. It also includes Pete Kay’s ‘Amarillo’, questionably one of the most irritating songs of all time. This list really does make you wonder why artists with genuine talent even bother.
It seems the sane half of the music buying public who have an ear for decent music stick to buying albums. Leona Lewis is the only TV winner who has made it into the top 10 selling albums. At least this is some consolation for the cynical minds among us.
So as the end of ‘The Noughties’ draws near, a reflection of the past 10 years of “music” begins. Thinking back, it’s almost impossible to pick out any memorable songs within the hoards of dire, throwaway trash that seems to have become a staple of the top 40 chart.
It seems like an eternity since Simon Cowell began smothering the nation with his repetitive reality music shows, producing a mediocre musical puppet from his money factory to take over the charts each year. Looking over the top ten biggest selling singles of the decade, a shiver runs down my spine as it becomes apparent that 5 of the songs were released by a winner from X Factor and Popstars.
Is this really what our music industry has turned into? Square haired millionaires too big for their boots are allowed to brainwash the public into believing that this rubbish is ‘talent’. Gone are the days of artists writing their own music and being rewarded for it. Cobain and Lennon would be spinning in their graves if they could see what a joke the industry has turned into. What happened to skilled musicians writing their own songs getting to number one?
The rest of the top ten is filled with pop music with as little aptitude as the rest, including Bob The Builder of all people, and of course everyone’s favourite reggae ‘star’ Shaggy. It also includes Pete Kay’s ‘Amarillo’, questionably one of the most irritating songs of all time. This list really does make you wonder why artists with genuine talent even bother.
It seems the sane half of the music buying public who have an ear for decent music stick to buying albums. Leona Lewis is the only TV winner who has made it into the top 10 selling albums. At least this is some consolation for the cynical minds among us.
Wednesday, 11 November 2009
Ministry of Sound, The Annual 2010
Listening to this album just before a night out, it seemed to be most fitting, with the beats of Armand Van Helden buzzing through my ears. Once the captivating bass lines and tasty tunes begin, it’s hard to stop listening as each brilliant track rolls into another in a never ending spiral of dance goodness.
The sub heading ‘One Year. One Album’ sums this up perfectly. If you’ve been stood in a club this year whilst an amazing dance song is playing and not know what it was, you will more than likely find it in this awesome collection. With all the big names from Deadmau5 to Sub Focus, most being brilliant remixes. Including popular indie tunes by Bloc Party, Calvin Harris and Friendly Fires this album has something to get almost anyone up and dancing.
With 3 CDs full of hits, there is no weak one. The eye catching case and the way it is presented is particularly impressive, to match the music. No two songs are the same, jumping from calm and thought provoking songs like Chicane’s ‘Poppiholla’ to lively r’n’b from Pitball. Dizzee Rascal definitely seems to be a favourite at the Ministry this year, with a song of his on each CD.
The 60 songs are full of the best rhythms, clicks, raps and hits of the year to delight your party senses. If there was ever an album to make you feel like partying the night away, this is certainly it.
The sub heading ‘One Year. One Album’ sums this up perfectly. If you’ve been stood in a club this year whilst an amazing dance song is playing and not know what it was, you will more than likely find it in this awesome collection. With all the big names from Deadmau5 to Sub Focus, most being brilliant remixes. Including popular indie tunes by Bloc Party, Calvin Harris and Friendly Fires this album has something to get almost anyone up and dancing.
With 3 CDs full of hits, there is no weak one. The eye catching case and the way it is presented is particularly impressive, to match the music. No two songs are the same, jumping from calm and thought provoking songs like Chicane’s ‘Poppiholla’ to lively r’n’b from Pitball. Dizzee Rascal definitely seems to be a favourite at the Ministry this year, with a song of his on each CD.
The 60 songs are full of the best rhythms, clicks, raps and hits of the year to delight your party senses. If there was ever an album to make you feel like partying the night away, this is certainly it.
Thursday, 5 November 2009
Making A Statement
Sat in a cramped room with a lot less seating than needed, a group of cheeky young men stood. The Statement Code are a four-piece pop punk band from Southampton. Not yet rock n roll enough to kick up a fuss, jokes are already being cracked about the situation. As lead singer Vince kindly decides to sort out chairs for everyone, the interview can begin.
As gentlemanly and genuine as the band seem, be careful not to assume their music is as laid back as their personalities. Each song contains powerful lyrics which make you think and melodies catchy enough to rival established bands like All Time Low. When asked about inspirations, an eclectic mix of bands were mentioned. As the band pianist, Stuart says ‘I still get my inspiration from Coldplay and that. I wouldn’t compare our stuff to them though.’ Brand New and Muse were also mentioned, though one band they all agree on is a German Band called 'They’re amazing, you should check them out!’ With my homework noted, I wanted to find out more about how the band formed.
‘1982’ they kid, sending them into barrels of laughter once more. ‘Nah, just the first year of uni wasn’t it?’ Aaron confirmes. They contemplate between themselves for a while on the exact time. Shaun tells me that ‘We got put into a band for our course and sort of changed the line up a little bit.’ Joining in with their banter, I asked whether they kicked out the useless members. Laughing, he said ‘Yeah. We got Aaron yeah, he wasn’t in it originally. We swapped instruments.’ Talented and adaptable? Is there anything these four lads can’t do? It seems not, as their very professional looking debut video for song ‘Tight’ was created solely by them. ‘We just did it all ourselves. It was kind of a last minute thing, we thought lets just f*** around on the top of Ikea. It was on a phone as well!’
As soon as the word ‘gigs’ escaped my mouth, a spiral of excitement encased the boys, making it almost impossible to stop them talking. When asked about their favourite gig so far, they found it hard to pick just one, proving how much they enjoy performing. I decided instead to ask exactly why they enjoy it so much, to which they gave a very clear answer. ‘Playing our songs really, I like playing our songs to people’ pipes Aaron as the rest nod in agreement. Vince adds that ‘onstage I don’t really care what people think.’ Stuart agrees, stating, ‘you might to look back and think, I look like a bit of a tit there but as long as we enjoy it that’s all that matters.’ Wise words from such a young band. If only more bands cared more about how much fun they were having than how cool they look.
As talks with the record production students who will produce their album are in the pipeline, the future seems bright for The Statement Code. Their plan? ‘Getting people to actually want to come and see us.’ Although said light heartedly, to them it feels essential. They add that ‘we’re not really that well known at the moment so the more gigs we do the more people will hear and get to know us.’ With a great reception from their previous gigs, this seems far from impossible. So with an album coming to you soon and more than likely a gig near you too, I think it’s time for you to check this band out. Their music is as infectious as their laughter; you’ve got no choice but to love them.
As gentlemanly and genuine as the band seem, be careful not to assume their music is as laid back as their personalities. Each song contains powerful lyrics which make you think and melodies catchy enough to rival established bands like All Time Low. When asked about inspirations, an eclectic mix of bands were mentioned. As the band pianist, Stuart says ‘I still get my inspiration from Coldplay and that. I wouldn’t compare our stuff to them though.’ Brand New and Muse were also mentioned, though one band they all agree on is a German Band called 'They’re amazing, you should check them out!’ With my homework noted, I wanted to find out more about how the band formed.
‘1982’ they kid, sending them into barrels of laughter once more. ‘Nah, just the first year of uni wasn’t it?’ Aaron confirmes. They contemplate between themselves for a while on the exact time. Shaun tells me that ‘We got put into a band for our course and sort of changed the line up a little bit.’ Joining in with their banter, I asked whether they kicked out the useless members. Laughing, he said ‘Yeah. We got Aaron yeah, he wasn’t in it originally. We swapped instruments.’ Talented and adaptable? Is there anything these four lads can’t do? It seems not, as their very professional looking debut video for song ‘Tight’ was created solely by them. ‘We just did it all ourselves. It was kind of a last minute thing, we thought lets just f*** around on the top of Ikea. It was on a phone as well!’
As soon as the word ‘gigs’ escaped my mouth, a spiral of excitement encased the boys, making it almost impossible to stop them talking. When asked about their favourite gig so far, they found it hard to pick just one, proving how much they enjoy performing. I decided instead to ask exactly why they enjoy it so much, to which they gave a very clear answer. ‘Playing our songs really, I like playing our songs to people’ pipes Aaron as the rest nod in agreement. Vince adds that ‘onstage I don’t really care what people think.’ Stuart agrees, stating, ‘you might to look back and think, I look like a bit of a tit there but as long as we enjoy it that’s all that matters.’ Wise words from such a young band. If only more bands cared more about how much fun they were having than how cool they look.
As talks with the record production students who will produce their album are in the pipeline, the future seems bright for The Statement Code. Their plan? ‘Getting people to actually want to come and see us.’ Although said light heartedly, to them it feels essential. They add that ‘we’re not really that well known at the moment so the more gigs we do the more people will hear and get to know us.’ With a great reception from their previous gigs, this seems far from impossible. So with an album coming to you soon and more than likely a gig near you too, I think it’s time for you to check this band out. Their music is as infectious as their laughter; you’ve got no choice but to love them.
The Second Bridge, Bath. Club Review.
As the familiar creaks of ‘Thriller’ blasted out of the speakers as I arrived, it was clear this was going to be a night full of big tunes. As this was the eve of Halloween, it was pleasantly surprising that the night was not crammed full of cheesy one hit wonders. Instead, the cramped underground club threw out drum and bass like there was no tomorrow as it thumped through the walls into the crowds’ ears.
With amazing dubstep remixes of massive songs like La Roux’s ‘In For The Kill’, Dizzee Rascal’s ‘Bonkers’ and Daft Punk’s ‘One More Time’ the atmosphere was electric. The jumping bodies especially went mad for Sydney Samson’s ‘Riverside’, a definite highlight of the night. With the excitement at it’s highest and the floor vibrating under the pressure, the drum and bass continued to pump until the very end.
With amazing dubstep remixes of massive songs like La Roux’s ‘In For The Kill’, Dizzee Rascal’s ‘Bonkers’ and Daft Punk’s ‘One More Time’ the atmosphere was electric. The jumping bodies especially went mad for Sydney Samson’s ‘Riverside’, a definite highlight of the night. With the excitement at it’s highest and the floor vibrating under the pressure, the drum and bass continued to pump until the very end.
Thursday, 29 October 2009
Michael Jackson's This Is It
Fashioning a silver blazer and red drainpipes, the superstar moves elegantly across the stage with effortless skill. As ‘You Wanna Be Startin’ Something’ begins to play and Michael reveals his pitch perfect voice, you know something special is about to happen.
Spending the duration of the film in awe, it would be so easy to watch Michael all day. Turning each of his already amazing songs into brilliant spectacles with the help of clever CGI and fireworks, it shows what an incredible concert we have all missed out on.
It was comforting to see the film focus purely on Michael’s talent, no hint of propaganda about his health or other personal business. He is seen to be so hard working, not stopping until every note, every beat, every move, is perfect. He mentions on a few occasions how he is saving his best for the real shows, yet his rehearsals were still enough to give me goosebumps. It’s hard to imagine just how brilliant this show would have been.
Interviews with the shows’ dancers and musicians expose how loved and respected Michael is, for most this being the pinnacle of their career. As the documentary ends with a montage of clips over new single ‘This Is It’, an air of sadness hangs over the cinema as the reality that such a rare, legendary talent has been lost. This Is It is a great way to preserve Michael Jackson’s wonder.
Spending the duration of the film in awe, it would be so easy to watch Michael all day. Turning each of his already amazing songs into brilliant spectacles with the help of clever CGI and fireworks, it shows what an incredible concert we have all missed out on.
It was comforting to see the film focus purely on Michael’s talent, no hint of propaganda about his health or other personal business. He is seen to be so hard working, not stopping until every note, every beat, every move, is perfect. He mentions on a few occasions how he is saving his best for the real shows, yet his rehearsals were still enough to give me goosebumps. It’s hard to imagine just how brilliant this show would have been.
Interviews with the shows’ dancers and musicians expose how loved and respected Michael is, for most this being the pinnacle of their career. As the documentary ends with a montage of clips over new single ‘This Is It’, an air of sadness hangs over the cinema as the reality that such a rare, legendary talent has been lost. This Is It is a great way to preserve Michael Jackson’s wonder.
Wednesday, 14 October 2009
General Fiasco - The Joiners, Southampton
Storming the stage with such energy and enthusiasm, it’s hard not to become instantly hooked by General Fiasco’s lively charisma. And with a set list full of melodic indie tunes to please your eardrums, it’s easy to see why there is an exciting buzz around this band.
The Irish three-some perform all of their MySpace hits including ‘Rebel Get By’ and ‘Ever So Shy’ to an audience who know every word. The vocals are tinted with their cheeky accents, which when added to the unbelievably catchy songs creates an irresistible indie mixture. Don’t assume they are one trick ponies though.
Band member Owen swaps his bass for an acoustic guitar at one point for a solo performance. As the spotlight shines on him, his talent beams. Performing with such emotion and grace, it was a definite shivers-down-the-spine moment. Something clicked, this band is awesomely talented.
It seems the amount of dedicated followers is set to rise as this captivating band support The Enemy on their tour later this month.
The Irish three-some perform all of their MySpace hits including ‘Rebel Get By’ and ‘Ever So Shy’ to an audience who know every word. The vocals are tinted with their cheeky accents, which when added to the unbelievably catchy songs creates an irresistible indie mixture. Don’t assume they are one trick ponies though.
Band member Owen swaps his bass for an acoustic guitar at one point for a solo performance. As the spotlight shines on him, his talent beams. Performing with such emotion and grace, it was a definite shivers-down-the-spine moment. Something clicked, this band is awesomely talented.
It seems the amount of dedicated followers is set to rise as this captivating band support The Enemy on their tour later this month.
Friday, 9 October 2009
The Cribs - Southampton Guildhall
Surprisingly, this was not a sold out show, though you would have found it hard to notice as a huge feeling of excitement and anticipation for the new line up hung over the venue.
As the brothers, plus one, stormed the stage, they made no hesitation before opening with new track ‘We Were Aborted’. The energy which possessed Ryan Jarman and his brothers was incredible. Suddenly, wearing sunglasses indoors was definitely cool again. They all seemed so passionate about the songs they were performing and were intent on creating the best live sound possible. This excitement has always been prominent with The Cribs, putting their all into every show they do.
A lot less could be said for newest member Johnny Marr however, who, with a sour expression on his face for most of the night, seemed much less bothered about the whole thing. The disappointment of many was instantly softened by the Jarman’s liveliness and personalities we all know and love as Marr almost faded into the background.
As well as new tracks, the band reached into their back catalogue to perform a few classics for ‘any old school Cribs fans out there’. These old favourites like ‘Men’s Needs’ and ‘Hey Scenesters!’ still sounded fresh somehow, showing off as a brilliant live act.
It seems no matter how many times you see The Cribs live, their almighty energy and musical skill will surprise and impress. Perhaps their newest member should take note…
As the brothers, plus one, stormed the stage, they made no hesitation before opening with new track ‘We Were Aborted’. The energy which possessed Ryan Jarman and his brothers was incredible. Suddenly, wearing sunglasses indoors was definitely cool again. They all seemed so passionate about the songs they were performing and were intent on creating the best live sound possible. This excitement has always been prominent with The Cribs, putting their all into every show they do.
A lot less could be said for newest member Johnny Marr however, who, with a sour expression on his face for most of the night, seemed much less bothered about the whole thing. The disappointment of many was instantly softened by the Jarman’s liveliness and personalities we all know and love as Marr almost faded into the background.
As well as new tracks, the band reached into their back catalogue to perform a few classics for ‘any old school Cribs fans out there’. These old favourites like ‘Men’s Needs’ and ‘Hey Scenesters!’ still sounded fresh somehow, showing off as a brilliant live act.
It seems no matter how many times you see The Cribs live, their almighty energy and musical skill will surprise and impress. Perhaps their newest member should take note…
Thursday, 1 October 2009
Paramore - Brand New Eyes and A Brand New Sound
As the four-piece return with their greatly anticipated third album, it seems they have returned to us with a new found maturity.
Listening to the first few songs which include single ‘Ignorance’ there is a familiar sound of fast moving riffs and lyrics seen in the previous albums. Each song contains a hook that’ll leave you listening to it over and over again, namely ‘Brick By Boring Brick’. With Hayley Williams’ powerful voice in each song this a perfect sing-a-long album.
Although this album starts with the familiar Paramore sound we all know and love, my cynical mind began to think that maybe this was just another ‘Riot!’ until the remaining tracks began to take a slower, more thoughtful turn. It seems the lyrics really mean something on this album. It hits on deeper issues than ever before, with phrases like ‘I’m better off when I hit the bottle’ prominent. ‘The Only Exception’ is certainly the defining song on the album, with its beautiful acoustic melodies and thoughts of growing up and past pain.
The remainder of the tracks take the same, deeply emotional turn which makes this Paramore’s most evolved and established album to date. The change is massive, but the outcome is awesome.
Listening to the first few songs which include single ‘Ignorance’ there is a familiar sound of fast moving riffs and lyrics seen in the previous albums. Each song contains a hook that’ll leave you listening to it over and over again, namely ‘Brick By Boring Brick’. With Hayley Williams’ powerful voice in each song this a perfect sing-a-long album.
Although this album starts with the familiar Paramore sound we all know and love, my cynical mind began to think that maybe this was just another ‘Riot!’ until the remaining tracks began to take a slower, more thoughtful turn. It seems the lyrics really mean something on this album. It hits on deeper issues than ever before, with phrases like ‘I’m better off when I hit the bottle’ prominent. ‘The Only Exception’ is certainly the defining song on the album, with its beautiful acoustic melodies and thoughts of growing up and past pain.
The remainder of the tracks take the same, deeply emotional turn which makes this Paramore’s most evolved and established album to date. The change is massive, but the outcome is awesome.
Thursday, 27 August 2009
Calvin Harris - Ready For The Weekend
I first heard this album whilst cruising down the motorway in the beaming sunshine, the CD player on full blast of course. As soon as the 80s beats and saxophones pumped through the speakers it was clear the album was made for a situation just like this one – sunny, carefree days.
The Album is full to the brim with anthemic tunes and extremely catchy riffs which will get you dancing. His lyrics are simple and repetitive which take moments to learn, another anthemic quality. Simple as they may be, those words will stay engraved in your mind for days after you’ve stopped listening.
Not all the songs are up tempo however, as a few slower tunes show a different side to the renowned raver. In fact the songs ‘Blue’ and ‘Worst Day’ even show off his emotional side, though they still manage to be in keeping with the catchy theme of the album. Highlights include ‘Flashback’ and ‘Stars Come Out’, as well as his extremely successful singles ‘I’m Not Alone’ and ‘Ready For The Weekend.’
This is a definite contender for the soundtrack to summer 2009. It will be amazing at festivals and in clubs around the UK too. The album title ‘Ready For The Weekend’ is very apt, as after listening to this album you will want nothing more than to finish work and party all night long.
The Album is full to the brim with anthemic tunes and extremely catchy riffs which will get you dancing. His lyrics are simple and repetitive which take moments to learn, another anthemic quality. Simple as they may be, those words will stay engraved in your mind for days after you’ve stopped listening.
Not all the songs are up tempo however, as a few slower tunes show a different side to the renowned raver. In fact the songs ‘Blue’ and ‘Worst Day’ even show off his emotional side, though they still manage to be in keeping with the catchy theme of the album. Highlights include ‘Flashback’ and ‘Stars Come Out’, as well as his extremely successful singles ‘I’m Not Alone’ and ‘Ready For The Weekend.’
This is a definite contender for the soundtrack to summer 2009. It will be amazing at festivals and in clubs around the UK too. The album title ‘Ready For The Weekend’ is very apt, as after listening to this album you will want nothing more than to finish work and party all night long.
Friday, 26 June 2009
A Tribute To Michael Jackson.
A disturbingly somber mood hangs in the air throughout the world today, as the news of Michael Jackson’s death is still fresh in people’s thoughts.
Many believed this day would never come. Michael Jackson seemed invincible, a Peter Pan character which everyone grew up with, respected and loved. He was always there, inspiring countless people to follow in his footsteps and become successes in their own rights. From the likes of Justin Timberlake to The Backstreet boys, they all owe him their achievements.
His incredible career began when he was just 5 years old, performing with his siblings in the Jackson 5. After some time, it was clear Michael was indeed the star of the group as he embarked on the next stage of his life as a solo artist. He gained many number ones including ‘Don’t Stop Til You Get Enough’ and ‘Rock With You’, though the pinnacle of his career came when he released the album ‘Thriller’ in 1982. Including hits such at ‘Beat It’ and ‘Billie Jean’, this album is contested as the best selling album of all time.
In 1991, he was deservedly crowned ‘The King of Pop’, continuing to release albums and hit records including ‘Black and White’. His late album ‘Invinsable’ was released in 2001 with R.Kelly, signaling his return to music.
Just 3 months ago, the legend announced a comeback tour in London, consisting of 50 dates at the 02 Arena throughout this year and next. Of course he needed to render his money problems, but he also wanted to prove to the media and all those naysayers that he still had ‘it’ and was still a performer. His desperation to gain his fans back was clear and somewhat distressing. Though when all 50 dates sold out within one hour, it was quite obvious his fans had never left and always believed in him, proving once again what a huge superstar this man was. The word ‘superstar’ doesn’t even feel large enough to encompass his talent and status.
Many fans will be devastated that now they will never have the chance to see Michael Jackson perform live, particularly those who weren’t old enough, or even alive to see him in his prime. To see such an amazing artist live was an opportunity so many thousands of people wished to have during their life, which for some now will never be fulfilled. Michael put his heart and soul into trying to make sure this huge, last tour went ahead so that people could see him do what he loved best. It’s heartbreaking to know that he will never be able to prove himself to all those who slated him.
Ignoring the nasty media attention he gained and the accusations about his personal life, there stood a man with exceptional musical talent. He was music. There has never been anyone quite like Michael and I very much doubt there ever will be.
His physical presence may have gone, but his legend will live on forever. Michael Jackson will never be forgotten.
RIP. 1958 – 2009.
Many believed this day would never come. Michael Jackson seemed invincible, a Peter Pan character which everyone grew up with, respected and loved. He was always there, inspiring countless people to follow in his footsteps and become successes in their own rights. From the likes of Justin Timberlake to The Backstreet boys, they all owe him their achievements.
His incredible career began when he was just 5 years old, performing with his siblings in the Jackson 5. After some time, it was clear Michael was indeed the star of the group as he embarked on the next stage of his life as a solo artist. He gained many number ones including ‘Don’t Stop Til You Get Enough’ and ‘Rock With You’, though the pinnacle of his career came when he released the album ‘Thriller’ in 1982. Including hits such at ‘Beat It’ and ‘Billie Jean’, this album is contested as the best selling album of all time.
In 1991, he was deservedly crowned ‘The King of Pop’, continuing to release albums and hit records including ‘Black and White’. His late album ‘Invinsable’ was released in 2001 with R.Kelly, signaling his return to music.
Just 3 months ago, the legend announced a comeback tour in London, consisting of 50 dates at the 02 Arena throughout this year and next. Of course he needed to render his money problems, but he also wanted to prove to the media and all those naysayers that he still had ‘it’ and was still a performer. His desperation to gain his fans back was clear and somewhat distressing. Though when all 50 dates sold out within one hour, it was quite obvious his fans had never left and always believed in him, proving once again what a huge superstar this man was. The word ‘superstar’ doesn’t even feel large enough to encompass his talent and status.
Many fans will be devastated that now they will never have the chance to see Michael Jackson perform live, particularly those who weren’t old enough, or even alive to see him in his prime. To see such an amazing artist live was an opportunity so many thousands of people wished to have during their life, which for some now will never be fulfilled. Michael put his heart and soul into trying to make sure this huge, last tour went ahead so that people could see him do what he loved best. It’s heartbreaking to know that he will never be able to prove himself to all those who slated him.
Ignoring the nasty media attention he gained and the accusations about his personal life, there stood a man with exceptional musical talent. He was music. There has never been anyone quite like Michael and I very much doubt there ever will be.
His physical presence may have gone, but his legend will live on forever. Michael Jackson will never be forgotten.
RIP. 1958 – 2009.
Wednesday, 15 April 2009
Metro Station – ‘Metro Station’
The band’s family link to Miley Cyrus will either instantly put you off this band or excite you immensely. For those of you who are over the age of 15, I ask you to hold back your negative judgments before you take a listen.
Adding to the huge list of bands creating success through MySpace, Metro Station have a huge fan base already (mostly girls it seems, I must add). Over the past few months it would have been hard for anyone not to have heard the band’s debut single ‘Shake It’ with its ridiculously catchy pop rock chorus. Listening to the album through for the first time, it is clear every track follows suit. With each song being more memorable than the last, it is a definite hairbrush-in-font-of-mirror album for any wannabe rock star.
If lead singer Trace Cyrus’ good fashion sense and pretty, fringe covered face wasn’t enough to persuade you to like Metro Station, his voice which appears to be more of a whisper, is definitely original to say the least. Along with this and the generic but totally captivating pop rock tunes, it is a winning combination. Go on, admit it, you’re singing along right now aren’t you?
Adding to the huge list of bands creating success through MySpace, Metro Station have a huge fan base already (mostly girls it seems, I must add). Over the past few months it would have been hard for anyone not to have heard the band’s debut single ‘Shake It’ with its ridiculously catchy pop rock chorus. Listening to the album through for the first time, it is clear every track follows suit. With each song being more memorable than the last, it is a definite hairbrush-in-font-of-mirror album for any wannabe rock star.
If lead singer Trace Cyrus’ good fashion sense and pretty, fringe covered face wasn’t enough to persuade you to like Metro Station, his voice which appears to be more of a whisper, is definitely original to say the least. Along with this and the generic but totally captivating pop rock tunes, it is a winning combination. Go on, admit it, you’re singing along right now aren’t you?
Saturday, 21 March 2009
One to Watch - LTD IQ at Lennons
Who would’ve thought four normal boys from the depths of Shropshire could come together and create brilliant music. Not only that, but brilliant live music too.
Having listened to LTD IQ on MySpace on many a night, sucked in by their mischievous lyrics and faces, the opportunity to see the band live was too good to be missed. Audio Addict certainly wasn’t disappointed by what they saw and heard.
Playing at Lennons, a pokey indie club in the heart of Southampton, LTD IQ instantly brought energy and light to the venue. Smooth lead vocals came from Steve Evans, tinted with a cheeky northern accent adding to their authentic indie sound. Every song they performed was so catchy and uplifting with perfect guitar work, creating totally anthemic tunes to rock out to.
All members are in their first year at Southampton Solent, pursuing various music courses. They band have been together for a few years now, though have only just started on the live circuit. Being this impressive live after only two or three gigs, the future seems extremely bright for the awesome foursome.
Check them out for yourself at www.myspace.com/oflimitedintelligence
Having listened to LTD IQ on MySpace on many a night, sucked in by their mischievous lyrics and faces, the opportunity to see the band live was too good to be missed. Audio Addict certainly wasn’t disappointed by what they saw and heard.
Playing at Lennons, a pokey indie club in the heart of Southampton, LTD IQ instantly brought energy and light to the venue. Smooth lead vocals came from Steve Evans, tinted with a cheeky northern accent adding to their authentic indie sound. Every song they performed was so catchy and uplifting with perfect guitar work, creating totally anthemic tunes to rock out to.
All members are in their first year at Southampton Solent, pursuing various music courses. They band have been together for a few years now, though have only just started on the live circuit. Being this impressive live after only two or three gigs, the future seems extremely bright for the awesome foursome.
Check them out for yourself at www.myspace.com/oflimitedintelligence
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