Listening to this album just before a night out, it seemed to be most fitting, with the beats of Armand Van Helden buzzing through my ears. Once the captivating bass lines and tasty tunes begin, it’s hard to stop listening as each brilliant track rolls into another in a never ending spiral of dance goodness.
The sub heading ‘One Year. One Album’ sums this up perfectly. If you’ve been stood in a club this year whilst an amazing dance song is playing and not know what it was, you will more than likely find it in this awesome collection. With all the big names from Deadmau5 to Sub Focus, most being brilliant remixes. Including popular indie tunes by Bloc Party, Calvin Harris and Friendly Fires this album has something to get almost anyone up and dancing.
With 3 CDs full of hits, there is no weak one. The eye catching case and the way it is presented is particularly impressive, to match the music. No two songs are the same, jumping from calm and thought provoking songs like Chicane’s ‘Poppiholla’ to lively r’n’b from Pitball. Dizzee Rascal definitely seems to be a favourite at the Ministry this year, with a song of his on each CD.
The 60 songs are full of the best rhythms, clicks, raps and hits of the year to delight your party senses. If there was ever an album to make you feel like partying the night away, this is certainly it.
Wednesday, 11 November 2009
Thursday, 5 November 2009
Making A Statement
Sat in a cramped room with a lot less seating than needed, a group of cheeky young men stood. The Statement Code are a four-piece pop punk band from Southampton. Not yet rock n roll enough to kick up a fuss, jokes are already being cracked about the situation. As lead singer Vince kindly decides to sort out chairs for everyone, the interview can begin.
As gentlemanly and genuine as the band seem, be careful not to assume their music is as laid back as their personalities. Each song contains powerful lyrics which make you think and melodies catchy enough to rival established bands like All Time Low. When asked about inspirations, an eclectic mix of bands were mentioned. As the band pianist, Stuart says ‘I still get my inspiration from Coldplay and that. I wouldn’t compare our stuff to them though.’ Brand New and Muse were also mentioned, though one band they all agree on is a German Band called 'They’re amazing, you should check them out!’ With my homework noted, I wanted to find out more about how the band formed.
‘1982’ they kid, sending them into barrels of laughter once more. ‘Nah, just the first year of uni wasn’t it?’ Aaron confirmes. They contemplate between themselves for a while on the exact time. Shaun tells me that ‘We got put into a band for our course and sort of changed the line up a little bit.’ Joining in with their banter, I asked whether they kicked out the useless members. Laughing, he said ‘Yeah. We got Aaron yeah, he wasn’t in it originally. We swapped instruments.’ Talented and adaptable? Is there anything these four lads can’t do? It seems not, as their very professional looking debut video for song ‘Tight’ was created solely by them. ‘We just did it all ourselves. It was kind of a last minute thing, we thought lets just f*** around on the top of Ikea. It was on a phone as well!’
As soon as the word ‘gigs’ escaped my mouth, a spiral of excitement encased the boys, making it almost impossible to stop them talking. When asked about their favourite gig so far, they found it hard to pick just one, proving how much they enjoy performing. I decided instead to ask exactly why they enjoy it so much, to which they gave a very clear answer. ‘Playing our songs really, I like playing our songs to people’ pipes Aaron as the rest nod in agreement. Vince adds that ‘onstage I don’t really care what people think.’ Stuart agrees, stating, ‘you might to look back and think, I look like a bit of a tit there but as long as we enjoy it that’s all that matters.’ Wise words from such a young band. If only more bands cared more about how much fun they were having than how cool they look.
As talks with the record production students who will produce their album are in the pipeline, the future seems bright for The Statement Code. Their plan? ‘Getting people to actually want to come and see us.’ Although said light heartedly, to them it feels essential. They add that ‘we’re not really that well known at the moment so the more gigs we do the more people will hear and get to know us.’ With a great reception from their previous gigs, this seems far from impossible. So with an album coming to you soon and more than likely a gig near you too, I think it’s time for you to check this band out. Their music is as infectious as their laughter; you’ve got no choice but to love them.
As gentlemanly and genuine as the band seem, be careful not to assume their music is as laid back as their personalities. Each song contains powerful lyrics which make you think and melodies catchy enough to rival established bands like All Time Low. When asked about inspirations, an eclectic mix of bands were mentioned. As the band pianist, Stuart says ‘I still get my inspiration from Coldplay and that. I wouldn’t compare our stuff to them though.’ Brand New and Muse were also mentioned, though one band they all agree on is a German Band called 'They’re amazing, you should check them out!’ With my homework noted, I wanted to find out more about how the band formed.
‘1982’ they kid, sending them into barrels of laughter once more. ‘Nah, just the first year of uni wasn’t it?’ Aaron confirmes. They contemplate between themselves for a while on the exact time. Shaun tells me that ‘We got put into a band for our course and sort of changed the line up a little bit.’ Joining in with their banter, I asked whether they kicked out the useless members. Laughing, he said ‘Yeah. We got Aaron yeah, he wasn’t in it originally. We swapped instruments.’ Talented and adaptable? Is there anything these four lads can’t do? It seems not, as their very professional looking debut video for song ‘Tight’ was created solely by them. ‘We just did it all ourselves. It was kind of a last minute thing, we thought lets just f*** around on the top of Ikea. It was on a phone as well!’
As soon as the word ‘gigs’ escaped my mouth, a spiral of excitement encased the boys, making it almost impossible to stop them talking. When asked about their favourite gig so far, they found it hard to pick just one, proving how much they enjoy performing. I decided instead to ask exactly why they enjoy it so much, to which they gave a very clear answer. ‘Playing our songs really, I like playing our songs to people’ pipes Aaron as the rest nod in agreement. Vince adds that ‘onstage I don’t really care what people think.’ Stuart agrees, stating, ‘you might to look back and think, I look like a bit of a tit there but as long as we enjoy it that’s all that matters.’ Wise words from such a young band. If only more bands cared more about how much fun they were having than how cool they look.
As talks with the record production students who will produce their album are in the pipeline, the future seems bright for The Statement Code. Their plan? ‘Getting people to actually want to come and see us.’ Although said light heartedly, to them it feels essential. They add that ‘we’re not really that well known at the moment so the more gigs we do the more people will hear and get to know us.’ With a great reception from their previous gigs, this seems far from impossible. So with an album coming to you soon and more than likely a gig near you too, I think it’s time for you to check this band out. Their music is as infectious as their laughter; you’ve got no choice but to love them.
The Second Bridge, Bath. Club Review.
As the familiar creaks of ‘Thriller’ blasted out of the speakers as I arrived, it was clear this was going to be a night full of big tunes. As this was the eve of Halloween, it was pleasantly surprising that the night was not crammed full of cheesy one hit wonders. Instead, the cramped underground club threw out drum and bass like there was no tomorrow as it thumped through the walls into the crowds’ ears.
With amazing dubstep remixes of massive songs like La Roux’s ‘In For The Kill’, Dizzee Rascal’s ‘Bonkers’ and Daft Punk’s ‘One More Time’ the atmosphere was electric. The jumping bodies especially went mad for Sydney Samson’s ‘Riverside’, a definite highlight of the night. With the excitement at it’s highest and the floor vibrating under the pressure, the drum and bass continued to pump until the very end.
With amazing dubstep remixes of massive songs like La Roux’s ‘In For The Kill’, Dizzee Rascal’s ‘Bonkers’ and Daft Punk’s ‘One More Time’ the atmosphere was electric. The jumping bodies especially went mad for Sydney Samson’s ‘Riverside’, a definite highlight of the night. With the excitement at it’s highest and the floor vibrating under the pressure, the drum and bass continued to pump until the very end.
Thursday, 29 October 2009
Michael Jackson's This Is It
Fashioning a silver blazer and red drainpipes, the superstar moves elegantly across the stage with effortless skill. As ‘You Wanna Be Startin’ Something’ begins to play and Michael reveals his pitch perfect voice, you know something special is about to happen.
Spending the duration of the film in awe, it would be so easy to watch Michael all day. Turning each of his already amazing songs into brilliant spectacles with the help of clever CGI and fireworks, it shows what an incredible concert we have all missed out on.
It was comforting to see the film focus purely on Michael’s talent, no hint of propaganda about his health or other personal business. He is seen to be so hard working, not stopping until every note, every beat, every move, is perfect. He mentions on a few occasions how he is saving his best for the real shows, yet his rehearsals were still enough to give me goosebumps. It’s hard to imagine just how brilliant this show would have been.
Interviews with the shows’ dancers and musicians expose how loved and respected Michael is, for most this being the pinnacle of their career. As the documentary ends with a montage of clips over new single ‘This Is It’, an air of sadness hangs over the cinema as the reality that such a rare, legendary talent has been lost. This Is It is a great way to preserve Michael Jackson’s wonder.
Spending the duration of the film in awe, it would be so easy to watch Michael all day. Turning each of his already amazing songs into brilliant spectacles with the help of clever CGI and fireworks, it shows what an incredible concert we have all missed out on.
It was comforting to see the film focus purely on Michael’s talent, no hint of propaganda about his health or other personal business. He is seen to be so hard working, not stopping until every note, every beat, every move, is perfect. He mentions on a few occasions how he is saving his best for the real shows, yet his rehearsals were still enough to give me goosebumps. It’s hard to imagine just how brilliant this show would have been.
Interviews with the shows’ dancers and musicians expose how loved and respected Michael is, for most this being the pinnacle of their career. As the documentary ends with a montage of clips over new single ‘This Is It’, an air of sadness hangs over the cinema as the reality that such a rare, legendary talent has been lost. This Is It is a great way to preserve Michael Jackson’s wonder.
Wednesday, 14 October 2009
General Fiasco - The Joiners, Southampton
Storming the stage with such energy and enthusiasm, it’s hard not to become instantly hooked by General Fiasco’s lively charisma. And with a set list full of melodic indie tunes to please your eardrums, it’s easy to see why there is an exciting buzz around this band.
The Irish three-some perform all of their MySpace hits including ‘Rebel Get By’ and ‘Ever So Shy’ to an audience who know every word. The vocals are tinted with their cheeky accents, which when added to the unbelievably catchy songs creates an irresistible indie mixture. Don’t assume they are one trick ponies though.
Band member Owen swaps his bass for an acoustic guitar at one point for a solo performance. As the spotlight shines on him, his talent beams. Performing with such emotion and grace, it was a definite shivers-down-the-spine moment. Something clicked, this band is awesomely talented.
It seems the amount of dedicated followers is set to rise as this captivating band support The Enemy on their tour later this month.
The Irish three-some perform all of their MySpace hits including ‘Rebel Get By’ and ‘Ever So Shy’ to an audience who know every word. The vocals are tinted with their cheeky accents, which when added to the unbelievably catchy songs creates an irresistible indie mixture. Don’t assume they are one trick ponies though.
Band member Owen swaps his bass for an acoustic guitar at one point for a solo performance. As the spotlight shines on him, his talent beams. Performing with such emotion and grace, it was a definite shivers-down-the-spine moment. Something clicked, this band is awesomely talented.
It seems the amount of dedicated followers is set to rise as this captivating band support The Enemy on their tour later this month.
Friday, 9 October 2009
The Cribs - Southampton Guildhall
Surprisingly, this was not a sold out show, though you would have found it hard to notice as a huge feeling of excitement and anticipation for the new line up hung over the venue.
As the brothers, plus one, stormed the stage, they made no hesitation before opening with new track ‘We Were Aborted’. The energy which possessed Ryan Jarman and his brothers was incredible. Suddenly, wearing sunglasses indoors was definitely cool again. They all seemed so passionate about the songs they were performing and were intent on creating the best live sound possible. This excitement has always been prominent with The Cribs, putting their all into every show they do.
A lot less could be said for newest member Johnny Marr however, who, with a sour expression on his face for most of the night, seemed much less bothered about the whole thing. The disappointment of many was instantly softened by the Jarman’s liveliness and personalities we all know and love as Marr almost faded into the background.
As well as new tracks, the band reached into their back catalogue to perform a few classics for ‘any old school Cribs fans out there’. These old favourites like ‘Men’s Needs’ and ‘Hey Scenesters!’ still sounded fresh somehow, showing off as a brilliant live act.
It seems no matter how many times you see The Cribs live, their almighty energy and musical skill will surprise and impress. Perhaps their newest member should take note…
As the brothers, plus one, stormed the stage, they made no hesitation before opening with new track ‘We Were Aborted’. The energy which possessed Ryan Jarman and his brothers was incredible. Suddenly, wearing sunglasses indoors was definitely cool again. They all seemed so passionate about the songs they were performing and were intent on creating the best live sound possible. This excitement has always been prominent with The Cribs, putting their all into every show they do.
A lot less could be said for newest member Johnny Marr however, who, with a sour expression on his face for most of the night, seemed much less bothered about the whole thing. The disappointment of many was instantly softened by the Jarman’s liveliness and personalities we all know and love as Marr almost faded into the background.
As well as new tracks, the band reached into their back catalogue to perform a few classics for ‘any old school Cribs fans out there’. These old favourites like ‘Men’s Needs’ and ‘Hey Scenesters!’ still sounded fresh somehow, showing off as a brilliant live act.
It seems no matter how many times you see The Cribs live, their almighty energy and musical skill will surprise and impress. Perhaps their newest member should take note…
Thursday, 1 October 2009
Paramore - Brand New Eyes and A Brand New Sound
As the four-piece return with their greatly anticipated third album, it seems they have returned to us with a new found maturity.
Listening to the first few songs which include single ‘Ignorance’ there is a familiar sound of fast moving riffs and lyrics seen in the previous albums. Each song contains a hook that’ll leave you listening to it over and over again, namely ‘Brick By Boring Brick’. With Hayley Williams’ powerful voice in each song this a perfect sing-a-long album.
Although this album starts with the familiar Paramore sound we all know and love, my cynical mind began to think that maybe this was just another ‘Riot!’ until the remaining tracks began to take a slower, more thoughtful turn. It seems the lyrics really mean something on this album. It hits on deeper issues than ever before, with phrases like ‘I’m better off when I hit the bottle’ prominent. ‘The Only Exception’ is certainly the defining song on the album, with its beautiful acoustic melodies and thoughts of growing up and past pain.
The remainder of the tracks take the same, deeply emotional turn which makes this Paramore’s most evolved and established album to date. The change is massive, but the outcome is awesome.
Listening to the first few songs which include single ‘Ignorance’ there is a familiar sound of fast moving riffs and lyrics seen in the previous albums. Each song contains a hook that’ll leave you listening to it over and over again, namely ‘Brick By Boring Brick’. With Hayley Williams’ powerful voice in each song this a perfect sing-a-long album.
Although this album starts with the familiar Paramore sound we all know and love, my cynical mind began to think that maybe this was just another ‘Riot!’ until the remaining tracks began to take a slower, more thoughtful turn. It seems the lyrics really mean something on this album. It hits on deeper issues than ever before, with phrases like ‘I’m better off when I hit the bottle’ prominent. ‘The Only Exception’ is certainly the defining song on the album, with its beautiful acoustic melodies and thoughts of growing up and past pain.
The remainder of the tracks take the same, deeply emotional turn which makes this Paramore’s most evolved and established album to date. The change is massive, but the outcome is awesome.
Thursday, 27 August 2009
Calvin Harris - Ready For The Weekend
I first heard this album whilst cruising down the motorway in the beaming sunshine, the CD player on full blast of course. As soon as the 80s beats and saxophones pumped through the speakers it was clear the album was made for a situation just like this one – sunny, carefree days.
The Album is full to the brim with anthemic tunes and extremely catchy riffs which will get you dancing. His lyrics are simple and repetitive which take moments to learn, another anthemic quality. Simple as they may be, those words will stay engraved in your mind for days after you’ve stopped listening.
Not all the songs are up tempo however, as a few slower tunes show a different side to the renowned raver. In fact the songs ‘Blue’ and ‘Worst Day’ even show off his emotional side, though they still manage to be in keeping with the catchy theme of the album. Highlights include ‘Flashback’ and ‘Stars Come Out’, as well as his extremely successful singles ‘I’m Not Alone’ and ‘Ready For The Weekend.’
This is a definite contender for the soundtrack to summer 2009. It will be amazing at festivals and in clubs around the UK too. The album title ‘Ready For The Weekend’ is very apt, as after listening to this album you will want nothing more than to finish work and party all night long.
The Album is full to the brim with anthemic tunes and extremely catchy riffs which will get you dancing. His lyrics are simple and repetitive which take moments to learn, another anthemic quality. Simple as they may be, those words will stay engraved in your mind for days after you’ve stopped listening.
Not all the songs are up tempo however, as a few slower tunes show a different side to the renowned raver. In fact the songs ‘Blue’ and ‘Worst Day’ even show off his emotional side, though they still manage to be in keeping with the catchy theme of the album. Highlights include ‘Flashback’ and ‘Stars Come Out’, as well as his extremely successful singles ‘I’m Not Alone’ and ‘Ready For The Weekend.’
This is a definite contender for the soundtrack to summer 2009. It will be amazing at festivals and in clubs around the UK too. The album title ‘Ready For The Weekend’ is very apt, as after listening to this album you will want nothing more than to finish work and party all night long.
Friday, 26 June 2009
A Tribute To Michael Jackson.
A disturbingly somber mood hangs in the air throughout the world today, as the news of Michael Jackson’s death is still fresh in people’s thoughts.
Many believed this day would never come. Michael Jackson seemed invincible, a Peter Pan character which everyone grew up with, respected and loved. He was always there, inspiring countless people to follow in his footsteps and become successes in their own rights. From the likes of Justin Timberlake to The Backstreet boys, they all owe him their achievements.
His incredible career began when he was just 5 years old, performing with his siblings in the Jackson 5. After some time, it was clear Michael was indeed the star of the group as he embarked on the next stage of his life as a solo artist. He gained many number ones including ‘Don’t Stop Til You Get Enough’ and ‘Rock With You’, though the pinnacle of his career came when he released the album ‘Thriller’ in 1982. Including hits such at ‘Beat It’ and ‘Billie Jean’, this album is contested as the best selling album of all time.
In 1991, he was deservedly crowned ‘The King of Pop’, continuing to release albums and hit records including ‘Black and White’. His late album ‘Invinsable’ was released in 2001 with R.Kelly, signaling his return to music.
Just 3 months ago, the legend announced a comeback tour in London, consisting of 50 dates at the 02 Arena throughout this year and next. Of course he needed to render his money problems, but he also wanted to prove to the media and all those naysayers that he still had ‘it’ and was still a performer. His desperation to gain his fans back was clear and somewhat distressing. Though when all 50 dates sold out within one hour, it was quite obvious his fans had never left and always believed in him, proving once again what a huge superstar this man was. The word ‘superstar’ doesn’t even feel large enough to encompass his talent and status.
Many fans will be devastated that now they will never have the chance to see Michael Jackson perform live, particularly those who weren’t old enough, or even alive to see him in his prime. To see such an amazing artist live was an opportunity so many thousands of people wished to have during their life, which for some now will never be fulfilled. Michael put his heart and soul into trying to make sure this huge, last tour went ahead so that people could see him do what he loved best. It’s heartbreaking to know that he will never be able to prove himself to all those who slated him.
Ignoring the nasty media attention he gained and the accusations about his personal life, there stood a man with exceptional musical talent. He was music. There has never been anyone quite like Michael and I very much doubt there ever will be.
His physical presence may have gone, but his legend will live on forever. Michael Jackson will never be forgotten.
RIP. 1958 – 2009.
Many believed this day would never come. Michael Jackson seemed invincible, a Peter Pan character which everyone grew up with, respected and loved. He was always there, inspiring countless people to follow in his footsteps and become successes in their own rights. From the likes of Justin Timberlake to The Backstreet boys, they all owe him their achievements.
His incredible career began when he was just 5 years old, performing with his siblings in the Jackson 5. After some time, it was clear Michael was indeed the star of the group as he embarked on the next stage of his life as a solo artist. He gained many number ones including ‘Don’t Stop Til You Get Enough’ and ‘Rock With You’, though the pinnacle of his career came when he released the album ‘Thriller’ in 1982. Including hits such at ‘Beat It’ and ‘Billie Jean’, this album is contested as the best selling album of all time.
In 1991, he was deservedly crowned ‘The King of Pop’, continuing to release albums and hit records including ‘Black and White’. His late album ‘Invinsable’ was released in 2001 with R.Kelly, signaling his return to music.
Just 3 months ago, the legend announced a comeback tour in London, consisting of 50 dates at the 02 Arena throughout this year and next. Of course he needed to render his money problems, but he also wanted to prove to the media and all those naysayers that he still had ‘it’ and was still a performer. His desperation to gain his fans back was clear and somewhat distressing. Though when all 50 dates sold out within one hour, it was quite obvious his fans had never left and always believed in him, proving once again what a huge superstar this man was. The word ‘superstar’ doesn’t even feel large enough to encompass his talent and status.
Many fans will be devastated that now they will never have the chance to see Michael Jackson perform live, particularly those who weren’t old enough, or even alive to see him in his prime. To see such an amazing artist live was an opportunity so many thousands of people wished to have during their life, which for some now will never be fulfilled. Michael put his heart and soul into trying to make sure this huge, last tour went ahead so that people could see him do what he loved best. It’s heartbreaking to know that he will never be able to prove himself to all those who slated him.
Ignoring the nasty media attention he gained and the accusations about his personal life, there stood a man with exceptional musical talent. He was music. There has never been anyone quite like Michael and I very much doubt there ever will be.
His physical presence may have gone, but his legend will live on forever. Michael Jackson will never be forgotten.
RIP. 1958 – 2009.
Wednesday, 15 April 2009
Metro Station – ‘Metro Station’
The band’s family link to Miley Cyrus will either instantly put you off this band or excite you immensely. For those of you who are over the age of 15, I ask you to hold back your negative judgments before you take a listen.
Adding to the huge list of bands creating success through MySpace, Metro Station have a huge fan base already (mostly girls it seems, I must add). Over the past few months it would have been hard for anyone not to have heard the band’s debut single ‘Shake It’ with its ridiculously catchy pop rock chorus. Listening to the album through for the first time, it is clear every track follows suit. With each song being more memorable than the last, it is a definite hairbrush-in-font-of-mirror album for any wannabe rock star.
If lead singer Trace Cyrus’ good fashion sense and pretty, fringe covered face wasn’t enough to persuade you to like Metro Station, his voice which appears to be more of a whisper, is definitely original to say the least. Along with this and the generic but totally captivating pop rock tunes, it is a winning combination. Go on, admit it, you’re singing along right now aren’t you?
Adding to the huge list of bands creating success through MySpace, Metro Station have a huge fan base already (mostly girls it seems, I must add). Over the past few months it would have been hard for anyone not to have heard the band’s debut single ‘Shake It’ with its ridiculously catchy pop rock chorus. Listening to the album through for the first time, it is clear every track follows suit. With each song being more memorable than the last, it is a definite hairbrush-in-font-of-mirror album for any wannabe rock star.
If lead singer Trace Cyrus’ good fashion sense and pretty, fringe covered face wasn’t enough to persuade you to like Metro Station, his voice which appears to be more of a whisper, is definitely original to say the least. Along with this and the generic but totally captivating pop rock tunes, it is a winning combination. Go on, admit it, you’re singing along right now aren’t you?
Saturday, 21 March 2009
One to Watch - LTD IQ at Lennons
Who would’ve thought four normal boys from the depths of Shropshire could come together and create brilliant music. Not only that, but brilliant live music too.
Having listened to LTD IQ on MySpace on many a night, sucked in by their mischievous lyrics and faces, the opportunity to see the band live was too good to be missed. Audio Addict certainly wasn’t disappointed by what they saw and heard.
Playing at Lennons, a pokey indie club in the heart of Southampton, LTD IQ instantly brought energy and light to the venue. Smooth lead vocals came from Steve Evans, tinted with a cheeky northern accent adding to their authentic indie sound. Every song they performed was so catchy and uplifting with perfect guitar work, creating totally anthemic tunes to rock out to.
All members are in their first year at Southampton Solent, pursuing various music courses. They band have been together for a few years now, though have only just started on the live circuit. Being this impressive live after only two or three gigs, the future seems extremely bright for the awesome foursome.
Check them out for yourself at www.myspace.com/oflimitedintelligence
Having listened to LTD IQ on MySpace on many a night, sucked in by their mischievous lyrics and faces, the opportunity to see the band live was too good to be missed. Audio Addict certainly wasn’t disappointed by what they saw and heard.
Playing at Lennons, a pokey indie club in the heart of Southampton, LTD IQ instantly brought energy and light to the venue. Smooth lead vocals came from Steve Evans, tinted with a cheeky northern accent adding to their authentic indie sound. Every song they performed was so catchy and uplifting with perfect guitar work, creating totally anthemic tunes to rock out to.
All members are in their first year at Southampton Solent, pursuing various music courses. They band have been together for a few years now, though have only just started on the live circuit. Being this impressive live after only two or three gigs, the future seems extremely bright for the awesome foursome.
Check them out for yourself at www.myspace.com/oflimitedintelligence
PUBLISHED: Fans accuse bouncers of being heavy-handed at Pete Doherty gig
I wrote a piece about the events at the Pete Doherty gig I went to, not thinking it would ever end up on the NME website but it did! So so happy.
So here it is, my first published and commissioned piece of writing! :)
Check it out here for yourself if you like: http://www.nme.com/news/pete-doherty/43585
Fans accuse bouncers of being heavy-handed at Pete Doherty gig
Crowd members from Southampton gig claim security was 'over the top'
Fans have accused bouncers at Pete Doherty's Southampton gig last weekend (March 15) of been overly physical and aggressive towards them.
According to those at the show, a disturbance erupted after the crowd began to take exception to the treatment of audience members by the security guards at the town's Guildhall.
Speaking to NME.COM, crowd member Ian Easton claimed that "the way the security were acting was disgusting. They were so over the top".
Tearful fan Vicky McIntosh added that "the security guards were being very heavy handed with both men and women. I will think twice about going back to Southampton Guildhall if that is how fans are treated".
Doherty himself expressed his disapproval from the stage, criticising the bouncers between songs.
The security at the venue on the night refused to comment about the fans' claims, while calls to the Guildhall have gone unanswered in the wake of the gig.
However one of the venue's bar staff who wished to remain nameless told NME.COM they did not think there was any particular problem at the gig.
"From where I was stood it just seemed like they [security] were doing their job," they explained. "There is clear signage saying that people will be thrown out if they crowd surf. Why should this crowd be treated any different?"
So here it is, my first published and commissioned piece of writing! :)
Check it out here for yourself if you like: http://www.nme.com/news/pete-doherty/43585
Fans accuse bouncers of being heavy-handed at Pete Doherty gig
Crowd members from Southampton gig claim security was 'over the top'
Fans have accused bouncers at Pete Doherty's Southampton gig last weekend (March 15) of been overly physical and aggressive towards them.
According to those at the show, a disturbance erupted after the crowd began to take exception to the treatment of audience members by the security guards at the town's Guildhall.
Speaking to NME.COM, crowd member Ian Easton claimed that "the way the security were acting was disgusting. They were so over the top".
Tearful fan Vicky McIntosh added that "the security guards were being very heavy handed with both men and women. I will think twice about going back to Southampton Guildhall if that is how fans are treated".
Doherty himself expressed his disapproval from the stage, criticising the bouncers between songs.
The security at the venue on the night refused to comment about the fans' claims, while calls to the Guildhall have gone unanswered in the wake of the gig.
However one of the venue's bar staff who wished to remain nameless told NME.COM they did not think there was any particular problem at the gig.
"From where I was stood it just seemed like they [security] were doing their job," they explained. "There is clear signage saying that people will be thrown out if they crowd surf. Why should this crowd be treated any different?"
Friday, 27 February 2009
New Album: Kelly Clarkson – All I Ever Wanted
Uplifting power pop songs are exactly why we love Kelly Clarkson, right? So listening to the new fourth album All I Ever Wanted from the American pop sensation I am overjoyed to hear this record full of the same.
The first song is also her first single from the album; My Life Would Suck Without You. The very first guitar riff is awfully reminiscent of the intro to arguably her most famous hit Since U Been Gone. As the song continues it is clear that Clarkson is still able to write ridiculously catchy, memorable pop hits.
She is not just a one trick pony however as it includes a fair share of slower tempo songs too, ‘Save You’ being one in particular which stands out. Even these slow songs only need one listen before you’re ears are completely hooked by Clarkson’s beautiful voice.
After listening to the album once through, I was left with a sweet taste in my mouth leaving me wanting more, resulting in at least two more full listens.
Warning: this album is seriously addictive.
The CD gets its official release in the UK on 9th March 2009.
The first song is also her first single from the album; My Life Would Suck Without You. The very first guitar riff is awfully reminiscent of the intro to arguably her most famous hit Since U Been Gone. As the song continues it is clear that Clarkson is still able to write ridiculously catchy, memorable pop hits.
She is not just a one trick pony however as it includes a fair share of slower tempo songs too, ‘Save You’ being one in particular which stands out. Even these slow songs only need one listen before you’re ears are completely hooked by Clarkson’s beautiful voice.
After listening to the album once through, I was left with a sweet taste in my mouth leaving me wanting more, resulting in at least two more full listens.
Warning: this album is seriously addictive.
The CD gets its official release in the UK on 9th March 2009.
Thursday, 26 February 2009
Interview with The Virgins
I caught up with up and coming band The Virgins to ask them their opinions on their current manager and how important thier roles are. This was research for a feature I am writing about artists who decide to split from their management.
Do you enjoy having a manager?
Nick: Yes, we certainly enjoy having a manager. He is amazing; he's incredibly intelligent and extremely hard-working.
In your opinion, does it feel like you have less freedom because you have a manager?
Nick: No. Having a manager takes a lot of the business work off of our shoulders so that we have the freedom to concentrate on making music.
Would you like more freedom? What would you do with it?
Nick: I'm happy with the amount of freedom we have. We get paid to do what we love and to be ourselves; what's more free than that?
Do you feel managers are a necessary for bands in this modern age?
Nick: It is certainly necessary for us. But every band is different. Lots of bands like to do it all themselves because that's the way they are as people. So, as long as you have the interest and the energy to manage yourself, I don't think you need someone else.
Do you enjoy having a manager?
Nick: Yes, we certainly enjoy having a manager. He is amazing; he's incredibly intelligent and extremely hard-working.
In your opinion, does it feel like you have less freedom because you have a manager?
Nick: No. Having a manager takes a lot of the business work off of our shoulders so that we have the freedom to concentrate on making music.
Would you like more freedom? What would you do with it?
Nick: I'm happy with the amount of freedom we have. We get paid to do what we love and to be ourselves; what's more free than that?
Do you feel managers are a necessary for bands in this modern age?
Nick: It is certainly necessary for us. But every band is different. Lots of bands like to do it all themselves because that's the way they are as people. So, as long as you have the interest and the energy to manage yourself, I don't think you need someone else.
Tuesday, 24 February 2009
Band Reunions: Money VS Love
Millions of post-emo rockers could be heard jumping with glee in their old drainpipe jeans last week as the rumour of a potential reunion of their teenage heroes, Blink-182, hit the media. Having had an amazing career spanning from 1992 to 2004, it looks like it may almost be time for all those broken teen hearts to finally be fixed once and for all as Travis Barker and Tom DeLonge finally start to speak again. Certainly not willing to reform before good relationships are built first and determined, if they do reform, to make this the most mind-blowing tour anyone has ever seen. This, of course creating a ridiculous amount of excitement among all fans.
While every Blink fan is left wondering and hoping for a while longer, there are plenty of other bands who have recently reunited which they could perhaps get back into instead. It seems that band reunions is definitely the new black as countless ‘classic oldies’ from the past drag their former selves into the modern age hoping to re-capture the imaginations and hearts of the music listening audience with one last stab at fame. However are all their reasons as clean cut as they want us to see? Is every band reunion simply occurring because they genuinely miss what they used to do, or are there sometimes ulterior motives?
There is no doubt that Take That definitely made the biggest comeback of the century in 2006. Still managing to floor fan girls with just the mere mention of their name, be it new young fans or those who remember them the first time round. Both albums released during their comeback; ‘Beautiful World’ and ‘Circus’ have both smashed the charts at number one and it doesn’t look like they’re stopping anytime soon. This is a band who love what they do. You can never seem to stop them from touring for one thing. Recently however, rumours have been spiralling that Robbie now wants to join the foursome again. Funny, how only now his solo career has hit rock bottom, he makes this suggestion. We all know you’re definitely in it for the money, Robbie.
Robbie’s not the only one with money on the mind though. The 90s pop sensation the Spice Girls reformed with a tour and a ‘Greatest Hits’ album. All seemingly innocent you’d say? Well no, not when Melanie ‘Sporty Spice’ Chisholm was adamant they would never reform. Though in 2007, not giving a real explanation, she told said that ‘A girl is allowed to change her mind’ (contactmusic.com, 2007). Yes, of course they are, especially when it involves over 30 million pounds, hmm?
If I was to mention every band which has reformed over the past five years I would be here for an age. It’s just a saddening sight to see the music industry, full of hard working musicians passionate about their songs, being plagued by money grabbing nobody’s of the 90s. Please, leave it to the people who care. Saying this though, I’m still holding out for an S Club 7 reunion…
While every Blink fan is left wondering and hoping for a while longer, there are plenty of other bands who have recently reunited which they could perhaps get back into instead. It seems that band reunions is definitely the new black as countless ‘classic oldies’ from the past drag their former selves into the modern age hoping to re-capture the imaginations and hearts of the music listening audience with one last stab at fame. However are all their reasons as clean cut as they want us to see? Is every band reunion simply occurring because they genuinely miss what they used to do, or are there sometimes ulterior motives?
There is no doubt that Take That definitely made the biggest comeback of the century in 2006. Still managing to floor fan girls with just the mere mention of their name, be it new young fans or those who remember them the first time round. Both albums released during their comeback; ‘Beautiful World’ and ‘Circus’ have both smashed the charts at number one and it doesn’t look like they’re stopping anytime soon. This is a band who love what they do. You can never seem to stop them from touring for one thing. Recently however, rumours have been spiralling that Robbie now wants to join the foursome again. Funny, how only now his solo career has hit rock bottom, he makes this suggestion. We all know you’re definitely in it for the money, Robbie.
Robbie’s not the only one with money on the mind though. The 90s pop sensation the Spice Girls reformed with a tour and a ‘Greatest Hits’ album. All seemingly innocent you’d say? Well no, not when Melanie ‘Sporty Spice’ Chisholm was adamant they would never reform. Though in 2007, not giving a real explanation, she told said that ‘A girl is allowed to change her mind’ (contactmusic.com, 2007). Yes, of course they are, especially when it involves over 30 million pounds, hmm?
If I was to mention every band which has reformed over the past five years I would be here for an age. It’s just a saddening sight to see the music industry, full of hard working musicians passionate about their songs, being plagued by money grabbing nobody’s of the 90s. Please, leave it to the people who care. Saying this though, I’m still holding out for an S Club 7 reunion…
YouTube Mashups
So there I was one night, innocently searching You Tube for my favourite new release from Katy Perry when something very interesting caught my eye. Under the ‘Related Videos’ section, I found myself faced with a bunch of mysterious looking videos. The first video I clicked on was someone attempting to mix Katy Perry’s ‘Hot N Cold’ together with Bloc Party’s ‘Banquet’. A ridiculous mix of songs you say? Well I’m afraid, in a strange, mashed up way, it definitely worked. Mixing together two songs I love, it created for me a new super tune, opening up my ears to a whole new form of music; the You Tube Mash Up.
Catching my imagination, I began to hunt down more of these mash-ups and to my surprise I found some truly amazing songs in the process. The best ones certainly seemed to emerge from two songs of completely different genres. There are so many amazing mash-ups floating about on there that I could listen to them all day, and probably will. It’s so hard to choose a favourite but one which certainly impressed me was Jay Z vs. The Verve ‘Bittersweet off Your Shoulder’. The strong rap from Jay Z somehow seemed less aggressive when played with The Verve’s ‘Bittersweet Symphony’, adding an extra dimension of emotion to the song, which together created a new, catchy pop song. Genius!
This juxtaposition of two clashing worlds creates something innovative and new, breaking the boundaries of music snobbery and sticks two fingers up at those who believe genres must remain separate and rigid. The idea of overlapping lyrics and beats merging together into one totally dazzling tune is truly inspiring. Who would have thought that a few simply bored people sitting at their computers could create such pieces of musical brilliance, which could potentially change the face of music dramatically in a great way. If nothing else, mash-ups are totally fun to listen to, whether they are completely amazing or completely rubbish. Being able to listen to two songs in one also saves a bit of time, right?
Catching my imagination, I began to hunt down more of these mash-ups and to my surprise I found some truly amazing songs in the process. The best ones certainly seemed to emerge from two songs of completely different genres. There are so many amazing mash-ups floating about on there that I could listen to them all day, and probably will. It’s so hard to choose a favourite but one which certainly impressed me was Jay Z vs. The Verve ‘Bittersweet off Your Shoulder’. The strong rap from Jay Z somehow seemed less aggressive when played with The Verve’s ‘Bittersweet Symphony’, adding an extra dimension of emotion to the song, which together created a new, catchy pop song. Genius!
This juxtaposition of two clashing worlds creates something innovative and new, breaking the boundaries of music snobbery and sticks two fingers up at those who believe genres must remain separate and rigid. The idea of overlapping lyrics and beats merging together into one totally dazzling tune is truly inspiring. Who would have thought that a few simply bored people sitting at their computers could create such pieces of musical brilliance, which could potentially change the face of music dramatically in a great way. If nothing else, mash-ups are totally fun to listen to, whether they are completely amazing or completely rubbish. Being able to listen to two songs in one also saves a bit of time, right?
Meeting the Kaiser Chiefs Southampton Guildhall 15.10.08
As the five-piece finished their performance for the crowd of Southampton it was time to move on to their next destination, Reading, but not before stopping to meet and greet 20 or so avid fans, standing outside patiently waiting for them until 1am.
To our surprise, each band member (completely sober, I must add) made sure they greeted all their fans and fulfilled their requests; one man clutching a signed collage of the band which he had made himself. I asked Nick (Hodgeson – Drummer) if meeting their fans and constantly having their photos taken ever became tedious, to which he replied ‘not at all! It’s always great to meet the fans!’ Not much of a rock n roll answer, you say? Something which took us even more by surprise was the comment made by Ricky (Wilson – Lead vocals) that he was ‘so tired. I just want to go and sleep!’ Despite this, he still stuck around for at least half and hour chatting to fans.
It seemed strange, such a worldwide successful band playing a small venue like Southampton Guildhall. We asked Peanut (Keyboard) for a reason; ‘I really like small venues. We played here (Guildhall) three years ago on the NME tour. As soon as I walked into this place today the memories came rushing back. It felt like it was yesterday.’
The main aim of these pre-tour shows is for the band to perform their new material live for the first time. I asked Nick if he was excited about the third album’s release this coming Monday (20th Oct 08) and he simply replied ‘Yeah, it’s gonna be good.’
So perhaps a little vague at times, the Kaiser Chiefs appear to have their feet firmly on the ground. Perhaps a few of their fellow indie stars should take note. For me, they are the nicest guys in rock at the moment.
To our surprise, each band member (completely sober, I must add) made sure they greeted all their fans and fulfilled their requests; one man clutching a signed collage of the band which he had made himself. I asked Nick (Hodgeson – Drummer) if meeting their fans and constantly having their photos taken ever became tedious, to which he replied ‘not at all! It’s always great to meet the fans!’ Not much of a rock n roll answer, you say? Something which took us even more by surprise was the comment made by Ricky (Wilson – Lead vocals) that he was ‘so tired. I just want to go and sleep!’ Despite this, he still stuck around for at least half and hour chatting to fans.
It seemed strange, such a worldwide successful band playing a small venue like Southampton Guildhall. We asked Peanut (Keyboard) for a reason; ‘I really like small venues. We played here (Guildhall) three years ago on the NME tour. As soon as I walked into this place today the memories came rushing back. It felt like it was yesterday.’
The main aim of these pre-tour shows is for the band to perform their new material live for the first time. I asked Nick if he was excited about the third album’s release this coming Monday (20th Oct 08) and he simply replied ‘Yeah, it’s gonna be good.’
So perhaps a little vague at times, the Kaiser Chiefs appear to have their feet firmly on the ground. Perhaps a few of their fellow indie stars should take note. For me, they are the nicest guys in rock at the moment.
Wise Children & Luke Leighfield - Hamptons, Southampton.
Drawn into Southampton’s local indie pub by the offer of free mince pies, the anticipation of the live music wasn’t too great, being only five pounds. As soon as the first band, Wise Children, began their performance all the negative expectations were blown away. A simple set up; two men and their acoustic guitars and a cello player, unusual in bands these days. The soft guitar riffs made me sit up and take notice, along with the gentle and meaningful lyrics which rolled out of Robin Warren-Adamson’s mouth. His style is reminiscent of Damien Rice, though with his own distinct voice.
Luke Leighfield was just as impressive, standing there with just a microphone and a keyboard. Singing about love and simply everyday observations, his choruses were the catchiest, hanging in my head for hours after seeing him. An impressive night of music for five pounds.
Luke Leighfield was just as impressive, standing there with just a microphone and a keyboard. Singing about love and simply everyday observations, his choruses were the catchiest, hanging in my head for hours after seeing him. An impressive night of music for five pounds.
Wet Paint - It Rots
Do we really need another samey indie band on the music scene? It seems the answer is yes, we do, as Wet Paint prepare to tour with Bloc Party after releasing their debut album. At first, the strong guitar sound and rugged voiced front man seemed a winning combination. If only it hadn’t been done so many times before, I would have been much more impressed. After listening to the whole album, I found myself less excited as each song played, sounding more and more like a poor man’s Cribs with very droned, similar note. Every song’s guitar riffs are so alike, it’s hard to distinguish one from another after a while. I think the answer is definitely no; we don’t need to hear another band like this on the music scene. Time for some originality, please.
The Cribs – Men’s Needs, Women’s Needs, Whatever
As soon as the captivating opening track “Our Bovine Public” beings to play, it deems impossible to stop listening. It contains an extremely catchy guitar riff which is sure to linger in your head long after the song has finished. This seems to be the case for every single track on the album, each with its own individual hook, but still keeping the crisp cribs’ sound we have all come to know and love.
There is a chance for listeners to take a break from jumping around with their air guitars with down – tempo tracks like “Moving Pictures”, which show off their more mature side and prove that they can do more than just criticise the music scene, like in their previous material.
It was almost as if this album was written with live shows in mind, as each song contains killer, anthemic choruses which create the perfect recipe for a stunning performance where the audience can happily join in too.
Although this is already the band’s third album, they still are not as well known and appreciated as they should be. As this is their best material so far, let’s hope it signals the start of more recognition which they deserve.
There is a chance for listeners to take a break from jumping around with their air guitars with down – tempo tracks like “Moving Pictures”, which show off their more mature side and prove that they can do more than just criticise the music scene, like in their previous material.
It was almost as if this album was written with live shows in mind, as each song contains killer, anthemic choruses which create the perfect recipe for a stunning performance where the audience can happily join in too.
Although this is already the band’s third album, they still are not as well known and appreciated as they should be. As this is their best material so far, let’s hope it signals the start of more recognition which they deserve.
The Mighty Boosh – London Wembley Arena
Although obviously a comedy tour, at times it felt like I was watching a cheesy (but very funny) musical instead. Classic characters such as The Hitcher performed a new, improved version of his infamous song. There was plenty of new material though including a solo from Howard, a rap from Naboo and an introduction of new, space age character ‘Sun Flash’ from Noel. Throughout each song it was clear Noel Fielding craved the attention of a rock star, taking his music performances quite seriously, dancing and all. The finale involved a medley of popular songs from the show, including ‘Charlie’ and Nanageddon’. As the audience poured forward to the front of the arena to catch a closer look at the Boosh Band, I began to feel the same buzz I would catch at a concert. The huge venue created an awesome, exciting atmosphere. The audience jumped and sang along in time with them, much to the Boosh’s excitement and surprise. Perhaps a Boosh Band tour will be next on the cards?
Sam Sparro – Brighton Corn Exchange
Listening to the soft melodies on Sam Sparro’s album, the last thing you expect is the star appearing on stage fashioning a nu-rave esq boiler suit, big retro glasses and a neon ‘SPARRO’ sign hanging from his neck. This bright exterior reflected into a lively performance, despite some early techinal difficulties. Blasting out his most popular tracks to a happy crowd, along with some less well known fillers, it was surprising to see the vast age group of the audience, from 14 year old girls who want to marry him, to 50 year old men who secretly want to be him. Though I’m not quite sure where I fit in between those two catagories, I was still pleasantly surprised by his performance. One moment which stood out most during the night was a duet he performed with one of his backing singers, who has featured in some Basement Jaxx songs and videos. Revealing the true scale of Sparro’s vocal talent, they sang in perfect harmony, creating amazing smooth sounds together and a definite hairs-standing-on-end moment. Hyping up the crowd, it made way for the final song of the night, ‘black and gold’, of course. Although quite a slow song to end on, it worked, leaving the crowd literally stomping for a Sparro encore.
Album: Motown 50
2009 sees the celebration of the 50th year of Motown; a music scene which changed the face of music ever since, influencing bands left right and centre. This CD created for the momentous occasion is jam packed full of all the classic songs you know and love. This CD really awakens the senses and makes it so clear why Motown was revolutionary and why it is still popular now. It kicks off with the energetic ‘Dancing in the Street’ by Martha Reeves. This sets the standard for the rest of the compilation with songs from the Jackson 5 and of course Stevie Wonder. It would be easy to listen to the smooth, soulful voices of Motown all day long. This is definitely a must have for anyone’s CD rack, anyone who appreciates great, legendary music anyway.
McFly - Manchester M.E.N Arena
Being the band’s sixth tour, you would expect much of same now as they run out of ideas. This is definitely not the case however as this, the band's first tour on thier own record label sees more creativity, surprises and explosions than ever before, ‘The Radio:Active Tour’ being a very fitting name. Storming on stage after a 2 minute intro video is played on the huge screens to hype up the crowd into hysteria, the fierce foursome begin with their first single from Radio:Active; ‘One For The Radio’. The band bounced, jumped and ran their way through their set, seeming never to tire of performing, even though the two front men, Tom Fletcher and Danny Jones do complain of illness. Vocally, the boys are flawless with their smooth, untouched voices filling the huge arena, along with their loud and feisty guitar based rhythms to create a really buzzing atmosphere. This time round they are accompanied by backing singers with an incredible range, one of them being Anthony Brant from the not so successful boy band V. Not one trick ponies though, slowing the tempo down at times. They played their classic ‘Room On The Third Floor’ acoustically, without the aid from drums until the very last chorus, building to a truly hairs-standing-on-end crescendo, fire and all.
With the whole set full of surprises, there’s never a dull moment when the boys are performing. The ingenious ‘floating’ stage being the moment everyone remembers most clearly, as the band travel from the front to the middle of the huge arena on a massive see-through ledge, giving fans a real close up of the boys for a few songs. After this came another shock; a solo from Danny Jones, as he throws away his guitar for one song to belt out a totally energetic Micheal Jackson cover of ‘Black or White.’ Worryingly, not looking the slightest bit lost without his guitar, the true extent of his perfectly pitched, slightly husky voice is heard as he entertains the crowd with his ‘rock star’ dance moves, much to his own amusement.
As the tradition goes, ending the show with ‘5 Colours In Her Hair’ gives the boys one last time to show off their talent. Still full of energy the band give it their all, singing the infamous ‘Do do do do dos.’ An impressive improvised twanging guitar ‘solo’ after the bridge comes from Fletcher and Jones, along with some pink and gold fireworks to end the night with a bang. Apologising for only putting on an average performance due to illness, the arena fills with cheers; if McFly can perform that amazingly whilst ill, you should see them when they’re on top form. Bring on next year.
With the whole set full of surprises, there’s never a dull moment when the boys are performing. The ingenious ‘floating’ stage being the moment everyone remembers most clearly, as the band travel from the front to the middle of the huge arena on a massive see-through ledge, giving fans a real close up of the boys for a few songs. After this came another shock; a solo from Danny Jones, as he throws away his guitar for one song to belt out a totally energetic Micheal Jackson cover of ‘Black or White.’ Worryingly, not looking the slightest bit lost without his guitar, the true extent of his perfectly pitched, slightly husky voice is heard as he entertains the crowd with his ‘rock star’ dance moves, much to his own amusement.
As the tradition goes, ending the show with ‘5 Colours In Her Hair’ gives the boys one last time to show off their talent. Still full of energy the band give it their all, singing the infamous ‘Do do do do dos.’ An impressive improvised twanging guitar ‘solo’ after the bridge comes from Fletcher and Jones, along with some pink and gold fireworks to end the night with a bang. Apologising for only putting on an average performance due to illness, the arena fills with cheers; if McFly can perform that amazingly whilst ill, you should see them when they’re on top form. Bring on next year.
I Have No Kind Words To Say: The Maccabees Free Download
At 7.30pm on Monday evening I arrived at The Maccabees official website, so very eager to download and hear ‘No Kind Words’, the very first exciting glimpse of new material from the band. As the record starts, you hear the familiar drum beat which appear in most of The Maccabees songs. Expecting a sudden thrash of guitars and a contagious riff to follow, I was sadly faced with something much plainer. As Orlando Weeks begins to sing, another major difference is clear. His voice, much more sombre and deep than before sounds ever so upset about something, perhaps about how disappointing this record is. The song never picks up any more speed or enthusiasm, leaving me bitterly let down by a band whose first album is one of my favourites of all time.
Perhaps, and I’m hoping because this was free, that this is not the best of their new material. I hate writing negatively about the band but ‘No Kind Words’ just doesn’t have the same pizzazz or the same in your face, memorable qualities that every song on ‘Colour It In’ possesses. Though as the song says, if I’ve got no kind words to say, maybe I should say nothing at all.
Perhaps, and I’m hoping because this was free, that this is not the best of their new material. I hate writing negatively about the band but ‘No Kind Words’ just doesn’t have the same pizzazz or the same in your face, memorable qualities that every song on ‘Colour It In’ possesses. Though as the song says, if I’ve got no kind words to say, maybe I should say nothing at all.
Lily Allen – It’s Not Me It’s You
Although it’s been almost three years since Lily’s debut smash hit album Alright, Still, it feels like she hasn’t even been away. This is probably because she appears in gossip and fashion magazines most weeks, though her music remains the most important part of the style icon’s life. From the outside it is clear Lily has matured, leaving her trainers behind. However her new material seems to have changed much less.
Authentic London accent, check. Cheeky lyrics, check. Repetitive choruses, check. Sound familiar? Don’t get me wrong though, just because she has used the same winning formula again, doesn’t mean it is a bad album. The album starts off strong with ‘Everyone’s At It’, a very upbeat song which controversially discusses the use of drugs in society today, stating that apparently ‘everyone’s on it.’ The next song is her bouncy first single from the album ‘The Fear’ which is just as catchy as the previous song. The next song, ‘Not Fair’ really stands out for me. It is definitely one of the strongest on the album with its ridiculously catchy chorus and pumping beat, along with funny lyrics about her bedroom activities.
After this strong album opening, the tempo starts to slow down slightly. There seems to be a lot more slow songs compared to on her debut. This may not necessarily be a bad thing, though they are much less catchy on a first listen. This eagerly anticipated second album is definitely a grower in parts, but the same Lily Allen we all grew to know and love from the first is still very much here. Let’s just hope she doesn’t reuse the same formula again in the future.
Authentic London accent, check. Cheeky lyrics, check. Repetitive choruses, check. Sound familiar? Don’t get me wrong though, just because she has used the same winning formula again, doesn’t mean it is a bad album. The album starts off strong with ‘Everyone’s At It’, a very upbeat song which controversially discusses the use of drugs in society today, stating that apparently ‘everyone’s on it.’ The next song is her bouncy first single from the album ‘The Fear’ which is just as catchy as the previous song. The next song, ‘Not Fair’ really stands out for me. It is definitely one of the strongest on the album with its ridiculously catchy chorus and pumping beat, along with funny lyrics about her bedroom activities.
After this strong album opening, the tempo starts to slow down slightly. There seems to be a lot more slow songs compared to on her debut. This may not necessarily be a bad thing, though they are much less catchy on a first listen. This eagerly anticipated second album is definitely a grower in parts, but the same Lily Allen we all grew to know and love from the first is still very much here. Let’s just hope she doesn’t reuse the same formula again in the future.
New Single: Ladyhawke - Paris is Burning
After being captivated by the Lady’s first electro-pop single ‘Delirium’, I was excited to hear the next offering from the blonde haired indie chick. ‘Paris is Burning’ definitely doesn’t disappoint. Her edgy voice sings lyrics full of stories about young people drinking and dancing into the night. The fast, catchy beats capture the dream-like idea of the song brilliantly. The rather retro sounding song rolls into a truly memorable chorus that you won’t be able to stop humming, no matter how hard you try. Being the main support for the Ting Tings during February and March, the future is looking extremely bright for Ladyhawke.
‘Paris is Burning’ gets its full release on 2nd March. Head to www.myspace.com/ladyhawke for more information and tour dates.
‘Paris is Burning’ gets its full release on 2nd March. Head to www.myspace.com/ladyhawke for more information and tour dates.
Kings Of Leon - London Wembley Arena
Caleb’s amazingly powerful and smooth voice echoes so prominently across the arena, filling the room with such emotion. With each faultless twang of their guitars yet another goose bump appears, each song so thought provoking and poignant. Highlights include the classic ‘Milk’ and ‘Charmer’, showing off the true versatility of the band. Though new songs like ‘Sex on Fire’ and ‘Use Somebody’ do not fail to impress, creating an almost anthemic feel to them. The Kings are exactly that, kings of indie rock and roll; truly one of the most impressive bands to see live. It feels like something unexplainably amazing is happening when they perform, like the performance is going to change the world in some way, and for that hour and a half you truly believe you are watching something so mind blowing and influential.
Kaiser Chiefs - London Earls Court
As the lights began to dim, an almost deafening roar filled every corner of Earls Court, the band’s largest gig venue to date. After a few moments the huge ‘Kaiser Chiefs’curtain fell to reveal all five members as they opened the show with the boisterous Everything Is Average Nowadays. Ricky Wilson the lead singer commented that the crowd were “much louder than last night’s”, keeping them happy and even louder than before.
It felt as though both of the Chief’s albums were written with live shows in mind as each song sparked a huge sing along, at one point leaving the crowd to sing a whole verse by themselves. As well as singing all the classics like I predict a Riot and Ruby the band played a couple of new songs called Never Miss a Beat and You Want History, showing promisingly that the Kaiser Chiefs have plenty more up their sleeves before they call it a day.
Unfortunately I had to leave before the end of the gig and before they sang their famous closing song Oh My God, but from what I’ve heard from other people it was something special. I hope I get to see them again and stay to the end next time.
It felt as though both of the Chief’s albums were written with live shows in mind as each song sparked a huge sing along, at one point leaving the crowd to sing a whole verse by themselves. As well as singing all the classics like I predict a Riot and Ruby the band played a couple of new songs called Never Miss a Beat and You Want History, showing promisingly that the Kaiser Chiefs have plenty more up their sleeves before they call it a day.
Unfortunately I had to leave before the end of the gig and before they sang their famous closing song Oh My God, but from what I’ve heard from other people it was something special. I hope I get to see them again and stay to the end next time.
Enter Shikari - Leas Cliff Hall
“This is the first show in two years I havn’t worn shorts for” Shikari’s front man, Rou, announces as the band enter fashioning suits, each with a different Halloween mask on. Already making this feel like a special show, the band waste no time in blasting out album favourites to an extremely excitable crowd with the average age of about 15. I was surprised at how many new tracks they revealed, though for the first time at a gig I’ve been to, they went down just as well as the old classics, proving they’re definitely not one-album ponies. The energy conveyed from the band members was electric, the passion they have for their songs was clear.
After a very energetic performance, the obligatory encore was a definite highlight, as they stormed the stage with their two most popular songs ‘Sorry You’re Not A Winner’ and ‘Ok, Time For Plan B’, definitely saving their best until last. It seemed like they had connected with the entire audience as every single person clapped their hands in time and sung the lyrics back to an appreciative Rou, coming to an explosive climax of noise, but it was great noise. This band bring so much to their live shows, creating a night to remember and leaving the crowd wanting to see them again and again. This was my second time seeing them live and I still want to go again, I was that impressed.
After a very energetic performance, the obligatory encore was a definite highlight, as they stormed the stage with their two most popular songs ‘Sorry You’re Not A Winner’ and ‘Ok, Time For Plan B’, definitely saving their best until last. It seemed like they had connected with the entire audience as every single person clapped their hands in time and sung the lyrics back to an appreciative Rou, coming to an explosive climax of noise, but it was great noise. This band bring so much to their live shows, creating a night to remember and leaving the crowd wanting to see them again and again. This was my second time seeing them live and I still want to go again, I was that impressed.
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